Search results now carry a small thumbnail, so the artwork downloaded when a
YouTube track is saved would have shrunk with them. The URL is upsized to the
configured artwork resolution right before the download event goes out.
Typing in the search box navigated on every pause, so single letters and
round-trips back to the same term each triggered a full YouTube search and a
new grid of covers. The debounce is longer, a term identical to the current
one no longer navigates, YouTube is only queried past a minimum length, and
the infinite scroll waits until the sentinel is closer before pulling a page.
The browser used to pull every cover straight from Google, so a search grid
plus infinite scroll fired dozens of cross-origin image requests and started
coming back as 429. Covers now go through /api/youtube/thumbnail, which
resizes the upstream URL, caches the bytes in memory, collapses duplicate
in-flight fetches, caps the concurrency against Google and backs off when it
answers 429. Responses are immutable for a month and revalidate with an ETag,
and serving them same-origin also lets the accent extractor read the pixels.
The root README was a design handoff for a prototype that is not in this repo,
web-player/README.md was the sv template, and deploy/README.md only covered
development. Replace all three and document the production deploy: its
prerequisites, what up.sh does and why nginx sits in front.
The docs under docs/ still used the pre-monorepo project paths, Ardalis.Result
instead of ErrorOr and the player.html test console that no longer exists.
There was no .dockerignore, so node_modules and build/ were copied into the
build context on every build. Add one, install from the lockfile with npm ci,
prune the dev dependencies out of the runtime layer and run as the node user.
The PUT was always sent to 127.0.0.1, which is nothing inside the container, so
uploads failed whenever the web player did not run on the same host as
SeaweedFS. Take an optional S3_UPLOAD_ENDPOINT instead (the compose stacks
point it at seaweedfs:8333) and fall back to the host in the presigned URL. The
signed Host header is preserved either way, so the signature still matches.
Styles: adds the scrim and on-art tokens so the black overlays and the
white marks drawn over artwork stop being raw tailwind colours, and
routes every component through the semantic layer instead of reaching
into the --mf-* palette. Renames --mf-accent-60, which was actually an
80% mix, to --mf-accent-soft, and removes the unused --mf-radius and
the --color-neutral-950 override.
Dead code: the root +layout.server.ts already redirects everything
except /login, so the anonymous branches in the home and explore loads
and the needsAuth empty state could never run. Deletes the unused
accentSoft helper, and stops exporting helpers nobody imports.
fmtTime and fmtDate move out of theme/color.ts into $lib/format.ts;
they are not colour concerns.
The accent animation now cancels its pending frame on teardown.
Updates the compose build context, the Dockerfile header, the package
name and the docs. The compose service and container keep the name
frontend/musify-frontend, since nginx routes to http://frontend:3000.
The source files also carry the first prettier pass, so the rename and
the reformat land together for them.
Flat ESLint config with typescript-eslint and eslint-plugin-svelte,
Prettier with the svelte and tailwindcss plugins. Adds the format and
lint scripts.
Three rules are off on purpose: no-navigation-without-resolve (the app
is served at the root, there is no base path), prefer-svelte-reactivity
(the Set and URLSearchParams uses are local computations, not reactive
state) and no-unused-expressions in .svelte only, where reading a rune
on its own line is how an $effect registers a dependency.
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