Applies the handoff's layout and image shapes while keeping the current
Musify design system (Inter, colors, tokens) — no font or palette swap.
Inicio now stacks distinct shelves instead of repeated square grids:
recently played rows, a rail of recently listened albums with an "Álbum"
badge, a "Hecho para ti" bento of mixes, a rail of playlists with a
trailing dashed "Ver todas" tile, tall "Canciones nuevas" posters with a
"Nuevo" badge, a rail of circular top-artist avatars, and a recommended
rail. Buscar splits into Álbumes (square cards + badge), Usuarios (a
circular-avatar directory) and a flat Canciones list.
Top artists and the search user directory are filler data until the
backend exposes them. New shared pieces: Rail, CoverBadge, ArtistAvatar,
MixBentoTile. The orphaned TrackTile and MixCard are removed.
The playlist cards were showing "No description was pr…" because the API
stored that English sentence whenever a playlist was created without a
description. Descriptions are optional now and the old rows are cleared.
Section headings drop to 18/20px so they stop competing with the content,
and the space moved from inside the sections to between them.
The three media cards repeated the same anchor, art class and label
block, so they share a MediaCard that also carries the hover lift the
track tiles already had.
The recently played rows stretched to 378px on a 1920 screen and the
discover wall broke into eight narrow columns. Cards now stay in a
narrow band: 295-349px for the rows, 203-218px everywhere else.
Recently played keeps its shape. Mixes and playlists now share one row,
half and half on large screens with smaller cards, capped at six each
with a link to the full list. Albums are the ones the user listened to
most recently, which is a new query joining the listening history with
the album tracks. The endless track wall is now "Descubrir".
Every one of the seven tables repeated the same header markup and hand
written grid templates, always in the same shape: an optional index, the
title, optional desktop-only meta columns, the duration and an optional
action. TrackTable now takes that shape as props and builds both grid
templates and the headers itself.
A mix should read as one list, so the detail page drops the per-source
counters and the YouTube tag on each row, and the generated subtitles no
longer name Musify or YouTube Music.
ChipGroup is orphaned since the explore rewrite dropped the filter chips.
Mix.GeneratedOn was written on every generation and never read, and it
duplicated CreatedAt, which IAuditable already sets at the same moment.
Moves the remaining uncommitted work: the home gets quick mixes and a
"Tus álbumes" shelf, saving a YouTube album now goes through
addYoutubeAlbumToPlaylistAction instead of the SaveYouTubeAlbum command,
and UserAlbum drops its unused ExternalId.
The mixes section keeps its current shape (no refresh action, no badge,
hidden when empty) rather than the older version the worktree carried.
Mixes are their own concept, not playlists: they live in their own
Mixes/MixItems tables, cannot be edited and never show up among the
user's playlists. Each item is either a Musify track or a YouTube Music
reference, so YouTube songs stream directly instead of being downloaded.
A daily Hangfire job seeds the mixes from the listening history: one
discovery mix, one daily mix and one per top artist.
The per-user YouTube filler query was already in the working tree and
rides along here because it shares files with this change.
The albums section keeps a Ver más button while YouTube Music has another
page, fed by a new /api/youtube/albums route that forwards the continuation
token. The YouTube album page gains a save button that drops the whole album,
tracks included, into your library and takes you to it.
The Albums chip now returns both your own albums and what YouTube Music has
for the term. A YouTube card opens a read-only album page with its cover,
tracklist and play button, and right-clicking a track still offers to add it
to a playlist through the existing menu.
Under the search box there are now three checkbox chips choosing what the page
shows. Songs keep the existing grid and Albums searches the albums by title;
Users is rendered disabled until there is something behind it.
A grid of your albums with a create dialog, and a detail page with the
tracklist, inline editing and a picker that lists the songs you uploaded so
they can be dropped into the album. Covers reuse the playlist mosaic since an
album has no artwork of its own yet.
The checked-in schema was stale and typed artist, description and externalId
as always present, so the code trusted values the API returns as null. The
regenerated schema tells the truth; the API-shaped types now admit null and it
is normalised on the way into the player, where the state stays non-null.
The ytimg variants are 16:9, so picking one by width handed a square tile far
fewer pixels than it needed: a 96px cover got the 120x90 file and kept 90px
after the crop. They are chosen by their short side now, the album art is
preferred over the video frame when the search returns both, and the display
sizes account for the tiles being up to 180px on a 2x screen.
Typing in the search box navigated on every pause, so single letters and
round-trips back to the same term each triggered a full YouTube search and a
new grid of covers. The debounce is longer, a term identical to the current
one no longer navigates, YouTube is only queried past a minimum length, and
the infinite scroll waits until the sentinel is closer before pulling a page.
The browser used to pull every cover straight from Google, so a search grid
plus infinite scroll fired dozens of cross-origin image requests and started
coming back as 429. Covers now go through /api/youtube/thumbnail, which
resizes the upstream URL, caches the bytes in memory, collapses duplicate
in-flight fetches, caps the concurrency against Google and backs off when it
answers 429. Responses are immutable for a month and revalidate with an ETag,
and serving them same-origin also lets the accent extractor read the pixels.
The PUT was always sent to 127.0.0.1, which is nothing inside the container, so
uploads failed whenever the web player did not run on the same host as
SeaweedFS. Take an optional S3_UPLOAD_ENDPOINT instead (the compose stacks
point it at seaweedfs:8333) and fall back to the host in the presigned URL. The
signed Host header is preserved either way, so the signature still matches.
Styles: adds the scrim and on-art tokens so the black overlays and the
white marks drawn over artwork stop being raw tailwind colours, and
routes every component through the semantic layer instead of reaching
into the --mf-* palette. Renames --mf-accent-60, which was actually an
80% mix, to --mf-accent-soft, and removes the unused --mf-radius and
the --color-neutral-950 override.
Dead code: the root +layout.server.ts already redirects everything
except /login, so the anonymous branches in the home and explore loads
and the needsAuth empty state could never run. Deletes the unused
accentSoft helper, and stops exporting helpers nobody imports.
fmtTime and fmtDate move out of theme/color.ts into $lib/format.ts;
they are not colour concerns.
The accent animation now cancels its pending frame on teardown.
Updates the compose build context, the Dockerfile header, the package
name and the docs. The compose service and container keep the name
frontend/musify-frontend, since nginx routes to http://frontend:3000.
The source files also carry the first prettier pass, so the rename and
the reformat land together for them.
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